Vista Homeboys Gang Members Victims

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What happened to the “gangbanger,” the figure who ruled hip-hop — and, seemingly, the streets of America’s cities — from the late 1980s to the end of the millennium? Americans projected their racial and social anxieties onto this figure, inflating him into a “superpredator,” fuel for the tough-on-crime policies of the ’90s.

Authorities have indicated that an incident that occurred Friday night, November 2, in downtown Fallbrook appears to have been an act of criminal gang violence committed by members of a Vista street gang in an attack against Fallbrook individuals. History is Sought Against Vista Gang San Diego District Attorney Bonnie M. Dumanis announced today that her office has asked a Superior Court judge to issue a Preliminary Injunction (or Gang Injunction) against a criminal street gang in the City of Vista and 89 individual members of the gang, the largest in County history.

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By the turn of the century, though, the gangbanger’s power waned in our imaginations, drained by the exploitation of the entertainment industry and by the fact that so many actual gang members had been swept into prison. No place seemed to epitomize the “gangsta” lifestyle more than Los Angeles, with television and movie portrayals of mostly black and Hispanic gang members transforming Southern California’s laid-back image into one of racialized terror. There was a reality behind the representation, of course — desperate young people who sometimes caused great harm to others and to themselves, and who might have been only dimly aware of the larger forces pushing them: deindustrialization and globalization disrupting blue-collar paths toward the middle class; the interwoven interests and cynicism of the war on drugs that set many young minority men up to fail; the racial tensions between the police and urban residents. The photographer Joseph Rodriguez arrived in Los Angeles immediately after the 1992 riots that erupted when four white police officers were acquitted of violating Rodney King’s civil rights. Rodriguez documented the lives of gang members, starting in South Central Los Angeles and eventually arriving in Boyle Heights, a majority Mexican-American district on the East Side, which was in what the Rev. Greg Boyle, a Jesuit priest and the founder of the gang intervention organization Homeboy Industries, called the “decade of death.” Mr.

Rodriguez spent several years on the project, mostly in a neighborhood in the heart of Boyle Heights called Evergreen. The portraits of gang members that emerged were the opposite of the monstrous images in the news media. Yes, there were guns and tattoos, but there was also family, in spite of — sometimes amid — the violence. The photographs captured relationships between mothers and fathers and children and siblings and extended relationships. In 2012, when Mr. Rodriguez returned to Evergreen to see what had become of his former subjects, gang members were largely absent from the streets. This was partly an effect of a policing strategy in which district attorneys obtained court-ordered injunctions prohibiting gang members from appearing in public together.

Some “veteranos” were still languishing in prison. Others had died, victims of violence or drugs. Martina cole author. 1993: Steve Blount, one of the few African-American members of the Evergreen gang, left, with his son, Steve Jr. Was killed in a gang-related homicide in 1998.